The Film

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The Film

Discover more

Storie per Sandro emerges as a documentary, then crosses the boundary into fiction, ultimately transcending genre definitions.

Storie per Sandro emerges as a documentary, then crosses the boundary into fiction, ultimately transcending genre definitions.

SYNOPSIS

The documentary begins ‘in medias res’: Sandro has been diagnosed with the disease, and together with his son Giacomo, he has embarked on a journey through memories, among old photographs and travels to the places of his childhood, the aim of which is to keep his memory constantly stimulated. As the stories resurface, Giacomo realizes that many episodes from his father’s life are true and proper incredible, surreal, and ironic adventures, and that the way to preserve them forever is to entrust them to the timeless language of cinema.

Father and son collect and transform Sandro’s Stories into true cinematic scenes, participating together in all phases of production. When it comes time for filming, Giacomo realizes that the memories of the Stories are inevitably becoming hazy, and that Sandro only recalls them in fragments. This long journey now takes on a new meaning for him: no longer that of preserving his father’s memory, but rather that of stealing as much time as possible from the disease to spend together, and to share with all the people who knew and loved Sandro.

CINEMA: HEALING AND DISCOVERY

The magic of filmmaking becomes a means of discovery and healing, as well as the tool to achieve the final objective. This is to leave Sandro an archive of memories in motion that keeps him anchored to himself for as long as possible. Filmed over the course of five years, the movie follows, on one hand, Sandro’s life living with the illness, and on the other, the collection of stories and the filmmaking process. Different narrative levels intertwine, just as different visual languages do, ranging from documentary shots to true cinematography.

In addition to offering a new perspective on illness, which is no longer seen as something inevitable but as an opportunity for transformation and beauty, 'Stories for Sandro' tells the journey of a father and son who rediscover the value of spending time together, finding each other and accompanying one another hand in hand in one last great adventure.

WATCH THE TRAILER

Father and Protagonist

Sandro

Son and Director

Giacomo

Father and Protagonist

Sandro

Son and Director

Giacomo

Father and Protagonist

Sandro

Son and Director

Giacomo

STAGES OF THE FILM

2019

THE DISEASE

Sandro is diagnosed with Alzheimer's disease. It is unexpected and tragic news, especially given Sandro's still relatively young age. Unfortunately, the situation is serious, and the disease is already in an advanced stage. Sandro begins the available treatments, also participating in the trial of a drug that is later discontinued. As of today, there is no definitive cure for this disease, only supportive therapies that help slow its progression.

2020

The idea of the film

Giacomo begins to study and learn about the illness, talking to doctors and comparing notes with those who follow Sandro in his treatment journey. He is particularly struck by a study conducted by the University of Barcelona on how emotional stimulation, linked to specific memories, can help patients reconnect with their experiences, recovering a series of positive events. It is from here that Giacomo starts to evoke Sandro's memories, asking him to write down the most compelling stories of his life for him. Unknown episodes emerge even to Giacomo himself, many of which are so incredible that they seem like the stories of a film. Thus, the idea of turning these stories into true fictional scenes is born, in order to reconstruct a sort of archive of Sandro's memories.

–2024

THE DOCUMENTARY FOOTAGE

Giacomo follows Sandro in his daily life and in the progress of the disease. Together, they dig into the past and go to retrieve people, episodes, and places that have marked Sandro's life. From the old house in Stresa to the Island of Maddalena, Giacomo accompanies Sandro in this recovery of his past, with the camera in hand in order not to miss a single story or detail. At the same time, Sandro writes his own Stories: the most significant episodes begin to take shape, which Giacomo decides to transform into scenes of a film. Several times, Sandro writes and rewrites his tales, while the therapeutic journey has begun, and as it becomes increasingly difficult for him to retrieve the Stories in a precise and detailed manner. Memory is inexorably fading.

–2025

THE PRODUCTION OF STORIES

Time is not on his side, Giacomo kicks off the film production of the Stories, so that Sandro still has the opportunity to participate actively in the shoots. In January 2025, the scenes are filmed in the theater, and Sandro participates in all phases, from casting to the construction of the set. The involvement on set and the excitement of experiencing something new have a highly positive effect on Sandro. His Stories are now universal tales that will stand the test of time, and the most precious gift for father and son has finally been to live this great adventure together.

2019

THE DISEASE

2020

The idea of the film

–2024

THE DOCUMENTARY FOOTAGE

–2025

THE PRODUCTION OF STORIES

2019

THE DISEASE

Sandro is diagnosed with Alzheimer's disease. It is unexpected and tragic news, especially given Sandro's still relatively young age. Unfortunately, the situation is serious, and the disease is already in an advanced stage. Sandro begins the available treatments, also participating in the trial of a drug that is later discontinued. As of today, there is no definitive cure for this disease, only supportive therapies that help slow its progression.

2020

The idea of the film

Giacomo begins to study and learn about the illness, talking to doctors and comparing notes with those who follow Sandro in his treatment journey. He is particularly struck by a study conducted by the University of Barcelona on how emotional stimulation, linked to specific memories, can help patients reconnect with their experiences, recovering a series of positive events. It is from here that Giacomo starts to evoke Sandro's memories, asking him to write down the most compelling stories of his life for him. Unknown episodes emerge even to Giacomo himself, many of which are so incredible that they seem like the stories of a film. Thus, the idea of turning these stories into true fictional scenes is born, in order to reconstruct a sort of archive of Sandro's memories.

–2024

THE DOCUMENTARY FOOTAGE

Giacomo follows Sandro in his daily life and in the progress of the disease. Together, they dig into the past and go to retrieve people, episodes, and places that have marked Sandro's life. From the old house in Stresa to the Island of Maddalena, Giacomo accompanies Sandro in this recovery of his past, with the camera in hand in order not to miss a single story or detail. At the same time, Sandro writes his own Stories: the most significant episodes begin to take shape, which Giacomo decides to transform into scenes of a film. Several times, Sandro writes and rewrites his tales, while the therapeutic journey has begun, and as it becomes increasingly difficult for him to retrieve the Stories in a precise and detailed manner. Memory is inexorably fading.

–2025

THE PRODUCTION OF STORIES

Time is not on his side, Giacomo kicks off the film production of the Stories, so that Sandro still has the opportunity to participate actively in the shoots. In January 2025, the scenes are filmed in the theater, and Sandro participates in all phases, from casting to the construction of the set. The involvement on set and the excitement of experiencing something new have a highly positive effect on Sandro. His Stories are now universal tales that will stand the test of time, and the most precious gift for father and son has finally been to live this great adventure together.

STORIES FOR SANDRO: IN NUMBERS

0+

Years

Five or more years of writing and filming. The idea for the film originated in 2020, just after the diagnosis. Giacomo begins to constantly follow Sandro with the camera over time, through the phases of the illness.

0+

Hours

Over the years, Giacomo creates more than 40 hours of footage, traveling and accompanying Sandro in rediscovering his past and the places and characters of his Stories.

0

Rewritings

Sandro writes the stories of his fist not once, but more and more times over the years. Prompted by Giacomo, this exercise helps him not to lose details and to keep his memory trained.

100+

People

Over the course of 5 years, many people have been involved in the project, starting from the doctors, acquaintances, friends, and family of Sandro, to the crew during the days of shooting in the studio.

THE ACCIDENT

1956

"I remember my grandmother's profile, sitting in the front seat. Her paper-like hands, the gentle scent of rose. Even on the day she died, she chose to be there with me."

THE ASCENT

1958

"Have you ever dreamed of flying free like a balloon, and seeing the world from above, where no one can reach you anymore?"

THE AMMO POUCH

1969

"I was sure I could lose the policeman in the crowd. But the ammo pouch flew faster than me: I heard a whistle near my head and a sharp crack to my temple. Then darkness."

THE MORTAR

1973

"I tried to warn the General Staff and the General: the calculations were wrong, the mortar shell would land too close to their position, thus ending up killing them all."

THE AMBERJACK

1983

"That's how a bizarre idea struck me, that even fish have a heart, perhaps a soul. From that day on, I never fished again."

THE ACCIDENT

1956

"I remember my grandmother's profile, sitting in the front seat. Her paper-like hands, the gentle scent of rose. Even on the day she died, she chose to be there with me."

THE ASCENT

1958

"Have you ever dreamed of flying free like a balloon, and seeing the world from above, where no one can reach you anymore?"

THE AMMO POUCH

1969

"I was sure I could lose the policeman in the crowd. But the ammo pouch flew faster than me: I heard a whistle near my head and a sharp crack to my temple. Then darkness."

THE MORTAR

1973

"I tried to warn the General Staff and the General: the calculations were wrong, the mortar shell would land too close to their position, thus ending up killing them all."

THE AMBERJACK

1983

"That's how a bizarre idea struck me, that even fish have a heart, perhaps a soul. From that day on, I never fished again."

The Artistic Team

AUTHOR AND DIRECTOR

Giacomo Boeri

Graduating from the London Film School, Giacomo founded the production company and creative studio The Blink Fish in Milan in 2013, where he works as a director and author of advertisements, fashion films, short films, and documentaries. Always passionate about storytelling, Giacomo won the RAI Cinema Alice in the Cities Award in 2019 with the short film 'Pater Familias'. With The Blink Fish, he writes and produces short films and documentaries that participate in numerous International Film Festivals. Since 2020, Giacomo has been developing his first docufilm set to be released in 2025.

AUTHOR AND DIRECTOR

Giacomo Boeri

Graduating from the London Film School, Giacomo founded the production company and creative studio The Blink Fish in Milan in 2013, where he works as a director and author of advertisements, fashion films, short films, and documentaries. Always passionate about storytelling, Giacomo won the RAI Cinema Alice in the Cities Award in 2019 with the short film 'Pater Familias'. With The Blink Fish, he writes and produces short films and documentaries that participate in numerous International Film Festivals. Since 2020, Giacomo has been developing his first docufilm set to be released in 2025.

AUTHOR AND DIRECTOR

Giacomo Boeri

Graduating from the London Film School, Giacomo founded the production company and creative studio The Blink Fish in Milan in 2013, where he works as a director and author of advertisements, fashion films, short films, and documentaries. Always passionate about storytelling, Giacomo won the RAI Cinema Alice in the Cities Award in 2019 with the short film 'Pater Familias'. With The Blink Fish, he writes and produces short films and documentaries that participate in numerous International Film Festivals. Since 2020, Giacomo has been developing his first docufilm set to be released in 2025.

SCENOGRAPHER

Josè Tirado

Jose Tirado, a set designer for cinema, advertising, fashion, and music videos, studied audiovisual communication and cinema in Barcelona and Madrid. Since 2013, he has been working in the industry and has won international awards, including Best Set Designer at the Ischia Film Festival. He has taught at the San Sebastián Festival and at institutions like IED. He is a member of the Spanish Academy of Cinema and AEDAA.

SCENOGRAPHER

Josè Tirado

Jose Tirado, a set designer for cinema, advertising, fashion, and music videos, studied audiovisual communication and cinema in Barcelona and Madrid. Since 2013, he has been working in the industry and has won international awards, including Best Set Designer at the Ischia Film Festival. He has taught at the San Sebastián Festival and at institutions like IED. He is a member of the Spanish Academy of Cinema and AEDAA.

SCENOGRAPHER

Josè Tirado

Jose Tirado, a set designer for cinema, advertising, fashion, and music videos, studied audiovisual communication and cinema in Barcelona and Madrid. Since 2013, he has been working in the industry and has won international awards, including Best Set Designer at the Ischia Film Festival. He has taught at the San Sebastián Festival and at institutions like IED. He is a member of the Spanish Academy of Cinema and AEDAA.

DOP

Emanuele Zarlenga

Emanuele Zarlenga, born in 1983 in Albano Laziale, is a director of photography who began his career in 2005 as a Digital Imaging Technician, collaborating with directors such as Tornatore and Bertolucci. Since 2017, he has been dedicated to cinematography, working with international brands and directing his first film in 2019. His artistic research and approach to cinematography are inspired by various disciplines including philosophy, painting, and theater.

DOP

Emanuele Zarlenga

Emanuele Zarlenga, born in 1983 in Albano Laziale, is a director of photography who began his career in 2005 as a Digital Imaging Technician, collaborating with directors such as Tornatore and Bertolucci. Since 2017, he has been dedicated to cinematography, working with international brands and directing his first film in 2019. His artistic research and approach to cinematography are inspired by various disciplines including philosophy, painting, and theater.

DOP

Emanuele Zarlenga

Emanuele Zarlenga, born in 1983 in Albano Laziale, is a director of photography who began his career in 2005 as a Digital Imaging Technician, collaborating with directors such as Tornatore and Bertolucci. Since 2017, he has been dedicated to cinematography, working with international brands and directing his first film in 2019. His artistic research and approach to cinematography are inspired by various disciplines including philosophy, painting, and theater.

VIDEO EDITOR

VERONICA SCOTTI

Veronica Scotti is a film editor from Milan with a solid background in video editing. She attended the Civic School of Cinema and worked at Fiumi Studios. Throughout her career, she has participated in various film projects, including: Milano 55.1. Chronicle of a Week of Passions (2011), All the Sounds of the Sea (2012), The Calling (2017). Her experience and expertise in editing contribute to the narrative structure and rhythm of the projects she takes part in, making her a respected professional in the Italian film industry.

Costume Designer

SARA COSTANTINI

Sara Costantini, born in Italy in the late 1970s, graduated from the Brera Academy of Fine Arts. She immediately started working as a freelance costume designer, distinguishing herself for her knowledge of contemporary and historical design, research, and construction. Her talent and creativity have left a mark on projects of all kinds. Thanks to her unique vision and experience in team management, she is a preferred choice for directors and producers. Today, she works across commercials, events, retrospectives, and theater.

COMPOSER

LEO EINAUDI

Leo is an Italian musician and composer, son of the famous pianist and composer Ludovico Einaudi. Following in his family's footsteps, Leo has developed a musical career that spans from contemporary composition to the use of instruments such as the guitar, as well as dabbling in singing and songwriting. His music reflects a fusion of classical and modern influences, contributing to a distinctive soundscape.

Production

The production behind the Film

Contacts

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© Giacomo Boeri, 2025

Contacts

Want to know more?

Don't hesitate to reach us.

© The Blink Fish, 2025

Contacts

Want to know more?

Don't hesitate to reach us.

© The Blink Fish, 2025